Bible and Violence Project

Happy New Year! Year 2023 will be a busy year for The Bible & Violence Project. Today we introduce three more contributors. Each of them demonstrates why this project is relevant and important, and why research-based activism matters. We are happy to introduce Barbara Thiede, Holly Morse, and Adriaan van Klinken. (Reading about these three contributors in turn, we think they should meet!).

Barbara Thiede is an ordained Rabbi and Assistant Professor of Judaic Studies at the UNCC (University of North Carolina Charlotte) Department of Religious Studies in the USA. Her work focuses primarily on the structures of hegemonic masculinity and the performance of masculinities in biblical texts. She is the author of Male Friendship, Homosociality, and Women in the Hebrew Bible: Malignant Fraternities (Routledge, 2022) and Rape Culture in the House of David: A Company of Men (Routledge Focus, 2022). She is currently working on her third book (under contract with Bloomsbury T&T Clark), which focuses on the biblical deity’s performance of masculinity in the Books of Samuel. She will be writing the chapter on Violence in the David Story and co-authoring, together with Johanna Stiebert, a chapter on the Ethics of Citing Violent Scholars.

I argue in my second monograph, Rape Culture in the House of David: A Company of Men, that David’s capacity for sexualized violence is not only tremendous but very much valorized in and by the text; and it is exactly this capacity, which (in terms of the ideological orientation of the text) makes him an ideal king. But David does not act alone (rapists don’t). Hegemonic masculinity and the structures that support and promote it make rape culture possible and make it thrive. Male-male relationships of all kinds in the David story undergird and support sexual violence. Servants, messengers, courtiers, soldiers, generals, advisors – these men collude and participate in, condone, and witness sexual violence throughout the narrative. Rape is not so much a topic as a tool – and it is used against men as well as women. If we cannot call out the violence the Hebrew Bible authorizes, we give our tacit consent to the rape culture it presents and by extension, to the rape cultures it legitimates and which we ourselves inhabit.

For the same reason, I cannot ignore an ugly reality in academia: that there are scholars who commit violence through sexual harassment, bullying, and rape; scholars who have participated in technology-based gendered violence, and who have preyed on children. These are scholars whose presence in our midst confronts us with fundamental questions about the nature of our guild. Hegemonic masculine systems have protected such scholars from censure and criminal conviction for decades. Together with Johanna Stiebert, we want to ask: do our ethics permit us to cite the work of violent predators?

We cannot afford apathy, indifference, or denial; we cannot afford to collude or condone. It is our task to resist violent texts and violent authors – especially when these are given authority and power to harm and abuse. Doing so might provide some healing and hope. And: it is an ethical imperative.

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Holly Morse is Senior Lecturer in Bible, Gender and Culture at the University of Manchester in the UK and specialises in the Hebrew Bible and gender-based violence, as well as in biblical reception – especially visual and popular cultures. She also has broader interdisciplinary research interests in knowledge, magical and spiritual activism, heresy, and gender. Holly is author of Encountering Eve’s Afterlives: A New Reception Critical Approach to Genesis 2-4 (Oxford University Press, 2020). In this book, she seeks to destabilise the persistently pessimistic framing of Eve by engaging with marginal, and even heretical, interpretations which focus on more positive aspects of the first woman’s character. Holly has also written on biblical literature, gender, feminist activism, trauma, abuse, and the visual arts and popular culture. Holly is co-founder of the Bible, Gender and Church Research Centre, with Dr Kirsi Cobb (Cliff College). Together they are now working on an AHRC (Arts and Humanities Research Council) funded research network around the topic Abusing God: Reading the Bible in the #MeToo Age.To date they have hosted one colloquium focused on coercive control, with another on hypermasculinity due to take place in April 2023. Holly is writing on Gender-Based Violence in Visual Art on the Bible.  

Survivors and victims of gender-based violence frequently attest to feeling that they have been left voiceless and silenced, as a consequence of the actions of their attackers, but also of the social systems which fail to provide them with support and with justice (see Jan Jordan Silencing Rape, Silencing Women, 2012). This theme of voicelessness is present, too, in the troubling texts of terror in the Hebrew Bible – the narratives of Dinah and the Levite’s pilegesh, or the law of the nameless, captive, non-Israelite “brides” of Deuteronomy 21; these texts and many more feature characters who are denied a voice in the wake of brutal attacks on their bodies and on their personhood. A growing field of powerful scholarship within biblical studies acknowledges and explores the significance of witnessing the silent trauma of these accounts across the centuries. It is into this conversation that I hope my paper for the Bible and Violence project will speak, but this time focusing on a different aspect of witness and gender-based violence – visibility. 

Despite the fact that 1 in 3 women globally are subject to physical and/or sexual violence, the harrowing frequency of these offences is met with a woeful rate of conviction rendering the majority of gender-based violence against women and girls invisible, hidden crimes. This lack of visibility of the abuse of women is further compounded by the fact that around 90% of rapes are committed by acquaintances of the victims, and often within the broader context of domestic abuse and intimate partner violence. In many ways, the Hebrew Bible too elides violence against women. With no specific language for rape, with laws that seem to accommodate abuse of female persons, and with accounts of what likely describe violent, sexual attacks on women mired in euphemism and narratorial disinterest, trying to render biblical survivors and victims of gender-based violence visible to the reader is often a challenge. In my paper for this project, I want to think about how visual art can help or hinder us in acts of witness to the experiences of biblical women at the hands of their abusers, and in turn offer opportunity to think further about tools for moral and ethical readings of ancient authoritative texts in our contemporary world.

Adriaan van Klinken is Professor of Religion and African Studies at the University of Leeds, where he also serves as Director of the Leeds University Centre for African Studies and the Centre for Religion and Public Life. He also is Extraordinary Professor in the Desmond Tutu Centre for Religion and Social Justice, University of the Western Cape, South Africa. Adriaan’s research focuses on religion, gender, and sexuality in contemporary Africa. His books include Kenyan, Christian, Queer: Religion, LGBT Activism and Arts of Resistance in Africa (2019); with Ezra Chitando, Reimagining Christianity and Sexual Diversity in Africa (2021); and with Johanna Stiebert, Sebyala Brian and Fredrick Hudson, Sacred Queer Stories: Ugandan LGBTQ+ Refugee Lives and the Bible (2021). 

In recent years, I’ve had the privilege to work, together with my colleague Johanna Stiebert, with a community of LGBTQ+ refugees based in Kenya. Most of the refugees originate from Uganda and left that country in the aftermath of its infamous Anti-Homosexuality Bill, which created a strong social, political and religious culture of queer-phobia. They sought safety in Kenya, only to discover that this country, too, is largely hostile towards sexual and gender minorities. 

From my first encounter with this community, back in 2015, what struck me was their faith, and the strength and comfort this gave them in the struggle of their everyday lives. As I was invited to prayer and worship meetings at the shelter run by a community-based organisation, called The Nature Network, I observed first-hand how these LGBTQ+ refugees created a space where they affirmed each other, shared their faith, read and talked about the Bible, and joyfully expressed their belief in God. 

Together with two of the leaders of the Nature Network, Sebyala Brian and Fredrick Hudson, Johanna and I developed the Sacred Queer Stories project. Here, we aimed to explore the intersections of bible stories and the life stories of Ugandan LGBTQ+ refugees. More specifically, we examined the potential of reclaiming the Bible and using it to signify the queer lives of LGBTQ+ refugees in East Africa. This is important because, in the words of one of our participants, “The Bible is often used against us, but in this project we reclaim it as a book that affirms and empowers us.” The results of the project were published in our jointly authored book, Sacred Queer Stories: Ugandan LGBTQ+ Refugee Lives and the Bible.

In our contribution to the Bible and Violence project, we will build on our collaborative work with the community of LGBTQ+ refugees, to explore the strategies of creative and contextual bible reading that we developed in order to read the Bible against queer-phobic violence. We will show how the Bible, on the one hand serves to reinforce existing power structures and social inequalities, but on the other hand can also be used for purposes of community empowerment and social transformation. Indeed, we put our Sacred Queer Stories project in the well-established queer tradition of ‘taking back the Word’, not allowing the Bible to be owned by homophobic preachers and politicians, but to reclaim it in a quest for liberation and freedom. As a case in point, we will discuss the work we did around the story of Daniel in the lions’ den, which in our project was re-narrated and dramatized in the contemporary context under the title “Daniel in the Homophobic Lions’ Den”.