Isobel Wood has recently graduated from the University of Leeds after studying Philosophy, Politics and Economics. Her research critically reflects on feminist approaches to global social justice and gender inequality issues. In particular, her most recent research centres on the intersection of religion and gender, namely the similarities between contemporary and biblical rape culture, which this blog focuses on. Her other research interests include popular culture, Marxism and identity politics. Following graduation, she will be moving to London where she begins her career as an Associate Consultant at one of the world’s leading technology companies.
Deena Metzger (cited in Blyth 2010, p.91) introduces a horrifying reality for women in her definition of rape. She argues that women live in a “universe of ontological terror”, whereby the very essence of womanhood is threatened by sexual violence and misconduct. This post explores Metzger’s claim by addressing similarities between biblical and contemporary British rape culture through a comparative analysis of the 2021 rape and murder of Sarah Everard, contemporary rape rhetoric, and the biblical story of Genesis 34.
Sexual violence towards women continues to be a prominent issue in the United Kingdom, with recent surveys estimating 1.6 million adults aged 16 to 74 years have experienced sexual assault by rape or penetration (including attempts) since the age of 16 years. This, however, is no contemporary phenomenon. There is a common consensus amongst feminist biblical scholars that the Bible has been highly influential in the creation of Western rape culture due to its authority in both faith-based communities and pop-culture as well as the recurring themes of patriarchy and gender-based violence present within its narratives (see, e.g., Scholz, 1999; Stiebert, 2021; Thiede, 2022). Such a connection warrants an exploration into the similarities between biblical and contemporary rape cultures.
This blog post focuses upon the narrative of Genesis 34 which recounts the rape of Dinah, the daughter of Jacob, by a Canaanite prince called Shechem. The story begins by introducing Dinah’s journey to see the “daughters of the land” (Genesis 34:1). Here, she is intercepted by Shechem, son of Hamor the Canaanite, who ‘takes her by force’ (Genesis 34:2). Following the rape, Shechem’s father Hamor meets with Jacob to negotiate marriage terms between Shechem and Dinah. Hamor also suggests that further intermarriage and assimilation take place between the Hivite and Jacobite communities. Though Jacob remains silent on the matter, Dinah’s brothers (Simeon and Levi) are enraged and, in a plot to avenge their sister, demand that all the Hivite men must first be circumcised before any intermarriage can occur. The brothers then invade the town whilst the Hivite men are recovering from surgery, proceeding to slaughter the recovering Canaanites, taking their wives, and pillaging their wealth (Klopper, 2010, p. 656).
Genesis 34 and Sarah Everard
In early March 2021, Sarah Everard, aged 33, was walking home from a friend’s house in Clapham when she was intercepted by Wayne Couzens, a Metropolitan Police officer. Couzens falsely arrested Ms Everard on the pretence that she was breaking COVID-19 legislation. He drove her to a secluded rural area in Kent where he raped and murdered her.
The case of Sarah Everard echoes the plight of Dinah in Genesis 34, and whilst the most obvious comparison is the sexually violent nature of the crimes, the similar responses to both cases offer an insight into the perpetuation of rape mythology and culture.
Victim Blaming and the Policing of Women
The first point of comparison centres around rape myths, including victim-blaming and the subsequent policing of women in both biblical Israel and contemporary Britain.
Much of the victim-blaming response to Dinah’s story is elicited by the first verse, which details Dinah’s journey to see the Canaanite daughters: “Now Dinah the daughter of Leah, whom she had borne to Jacob, went out to visit the women of the region” (Genesis 34:1). For instance, Aalders (1981 cited in Parry, 2002, p.7) confidently surmises that Dinah has “natural desire to be seen by the young men of the city” and is disturbed that she would “flippantly expose herself” to these men. His response exemplifies a victim-blaming stance, making assumptions about Dinah’s character and placing her at fault for the crimes perpetrated against her. This maintains another rape myth: that ‘normal men’ do not commit rape but are driven “to such an extreme form of sexual behaviour” by female promiscuity (Blyth, 2010, p.3).
This same stance of victim-blaming has been repeated in the policy and rhetoric of senior UK government officials in response to the Sarah Everard case. North Yorkshire Commissioner Philip Allott exhibited these attitudes in his statement, arguing “she [Sarah] never should have submitted to the arrest” and “women need to be streetwise”. The government action which follows Sarah Everard’s rape and murder also reinforces the opinion that the surveillance of women and girls is necessary for their own safety. The “immediate steps aimed at improving safety for women” included “an additional £25m for better lighting and CCTV” and a “pilot scheme which would see plain-clothes officers in pubs and clubs”. Surveillance is an important facet of victim-blaming, insofar that it monitors women ensuring that they are in keeping with the “ideal rape victim” construct (Larcombe, 2002). Here, women are chaste, sensible and cautious, modifying their behaviours to demonstrate caution in interactions with the opposite sex (Larcombe, 2002, p.133). Furthermore, the introduction of plain-clothed officers perpetuates the “damsel in distress trope,” academically termed “benevolent sexism” (Glick and Fiske, 2001). Though a more covert form of prejudice, benevolent sexism is “disarming” through its “promises that men’s power will be used to women’s advantage” (Glick and Fiske, 2001, p.111). This form of sexism is innately patronising, by positioning men as saviours it condescends the role of women, implying men’s dominance and depicting women as a liability (Dardenne et al, 2007, p.765).
Similarly, victim-blaming rhetoric is littered throughout contemporary media, specifically newspaper articles. A recent Daily Mail article included details about Sarah’s education, the value of her parent’s house, and the clothing she was wearing before the attack. By including these details, the Daily Mail attempted to position Everard as an “ideal rape victim’” (Larcombe, 2002) deserving of sympathy and retribution. For instance, she was presented in the article as a sensible, responsible woman with a university degree who came from a respected middle-class family; consequently, she would have understood the risk of rape and chose to wear modest dress. Circulating this information reinforces the opinion that certain characteristics of women make them more or less susceptible to or culpable for violence.
Just as Lange (1899, pp.563-564) describes Dinah’s story as a “warning to the daughters of Israel”, Meyers (1997, p. 24) argues that problematic news coverage “serves as a warning and a form of social control over women and a guide to appropriate female behaviour.” By sharing intimate and unnecessary details of a woman’s character, and responding to such acts with further forms of policing and surveillance on women’s freedoms, society is merely perpetuating the rape myth that women are culpable for the crimes committed against them. The mere act of going out becomes an invitation for sexual violence. In fact, the disclosure of intimate details about rape victims continues to be a legitimate judicial defence strategy, contributing to the extremely low conviction rates seen today in the United Kingdom (Larcombe, 2002, p.136). Therefore, contemporary media outlets must understand their complicity in perpetuating rape culture and accept responsibility for ceasing the propagation of rape mythology (Meyers, 1997, pp.xi).
Race and Rape Culture
Sexual violence against women intersects with race to the detriment of already marginalised groups. The media hysteria surrounding the Everard case may be wrongfully credited to the appearance and social standing of Sarah, who, as a privileged white woman received more publicity and attention than other victims of similar crimes (Stiebert, 2021, p.48). For instance, Sabina Nessa’s murder, which occurred six months after the murder of Sarah Everard, received minimal coverage and, according to internet analytical tools like Google Trends and Crowdtangle, markedly less public engagement.
Similarly, the fate of the Canaanite women who are abducted (and presumably raped) by Dinah’s brothers during the raid of the Hivite city (Gen. 34:29) receive very little attention in both the text and its interpretative traditions. The injustice they face is rooted in the identity politics of Ancient Israel, where boundaries are set between different groups through geography, ethnicity, and allegiance. Outsiders are demonised in an attempt to justify violence against them and to form stronger group boundaries (Bechtel, 1994, p.22). Consequently, genealogy is understood to be essential in maintaining purity within the precincts of different groups, and so the concept of a woman being raped by an “outsider” is considered especially abhorrent (Bechtel, 1994, p.22).
Both Simeon and Levi share a disdain for the inter-ethnic sexual relationship between Shechem and Dinah and the proposal of long-term interdependence between Canaanites and Jacobites, which “threatened to put the colonized and the colonizer in a relationship of equality (although not gender equality)” (Dube, 2017, p.54). Subsequently, the Canaanite women (Gen. 34:29) are simply depicted as plunder, and as restitution for the sins Shechem conducted against the Jacobite family (Dube, 2017, p.54). These women are silenced by the text, just as Sabina Nessa’s story is omitted from much contemporary media coverage.
In Genesis 34:2, where we read about Shechem’s act of rape, Dinah is repeatedly referred to using pronominal suffixes, which “depersonalise and objectify her” (Blyth, 2010, p.87), limiting her to a sedentary object of Shechem’s desire and subsequent abuse. Dinah is referred to by name eight times throughout the narrative, and in most cases, she is identified in relation to her family (particularly her father and brothers): she is “the daughter of Leah”, “our sister” and “Jacob’s Daughter” (Genesis 34) (Scholz, 1997, p.151-2). This kinship language reinforces the discourse that a woman’s plight is only valued at the cost to her male counterparts; her status as a rape victim only deserves sympathy in relation to others.
However, recent British media campaigns have criticised the usage of such language within rape culture rhetoric. This is illustrated by an image created by popular Instagram page and blog @Ladbible, which was shared as part of a campaign during Sexual Abuse & Sexual Violence Awareness Week. The image features the statement “She is Someone
’s” followed by ‘Daughter,Sister, Mother, Wife, Girlfriend, Friend’ which are all crossed out.
The use of slogan, “She is Someone
’s” (Ladbible, 2021) is particularly poignant, insofar that it acknowledges the use of kinship language within contemporary “lad” culture to wrongfully evoke sympathy towards the victim, much like the language used to describe Dinah within Genesis 34. The campaign implores readers to consider victims (in this case women) as simply people in their own right, as opposed to those deserving of empathy by virtue of their relationships with others. Ultimately, a victim’s background, sexual history and race should not influence the condemnation of the crime.
This blog post offers a damning indictment of the pervasiveness of patriarchy and sexual violence, concluding that despite millennia, the responses of both biblical and contemporary societies to sexual violence are almost identical in their semantics, their mistreatment of minority groups, and their recitation of rape mythology. The female rape survivor’s experience is focalised by an exclusively androcentric ideological framework, where male voices take precedence (Blyth, 2009, p.485), confining the survivor to the limitations of the “ideal rape victim” (Larcombe, 2002). Here, a woman’s race, background and the most intimate details of her personal life are derised and critiqued, until she is rendered culpable to her own defilement, despite exercising the most basic of freedoms.
Nowadays, rape mythology is no longer limited to the pages of ancient texts but a reality of the very essence of womanhood.
Bechtel, L.M. 1994. What is Dinah is Not Raped? (Genesis 34). Journal for the Study of the Old Testament62 (1), pp. 19–36.
Bible: New Revised Standard Version (NRSV).
Blyth, C. 2009. Terrible Silence, Eternal Silence: A Feminist Re-Reading of Dinah’s Voicelessness in Genesis 34. Biblical Interpretation 17 (1), pp.483–506.
Blyth, C. 2010. The Narrative of Rape in Genesis 34: Interpreting Dinah’s Silence. Oxford: Oxford University Press.
Cates, L and Penner, T. 2007. Textually Violating Dinah. The Bible and Critical Theory 3 (3), pp. 37.1–37.18.
Dardenne, B., Dumont, M. and Bollier, T. 2007. Insidious Dangers of Benevolent Sexism: Consequences for Women’s Performance. Journal of Personality and Social Psychology 93 (5), pp. 764–779.
Dube, M. 2017. Dinah (Genesis 34) At the Contact Zone “Shall Our Sister Become a Whore?” In: Claassens, L.J and Sharp, C.J. (eds), Feminist Frameworks and The Bible: Power, Ambiguity, and Intersectionality. London: Bloomsbury T&T Clark, pp. 39–58. Available from: https://www.researchgate.net/profile/Musa-Dube/publication/323839710_SHALL_OUR_SISTER_BECOME_A_WHORE_Introduction_Colonial_Contexts_Race_and_Sexual_Violence/links/5aaed3bc0f7e9b4897c03807/SHALL-OUR-SISTER-BECOME-A-WHORE-Introduction-Colonial-Contexts-Race-and-Sexual-Violence.pdf
Glick, P and Fiske, S. 2001. An Ambivalent Alliance: Hostile and Benevolent Sexism as Complementary Justifications for Gender Inequality. American Psychologist 5 (2), pp. 109–118.
Klopper, F. 2010. Rape and the Case of Dinah: Ethical Responsibilities for Reading Genesis 34. Old Testament Essays 22 (1), pp.652–665.
Ladbible. 2021. SHE IS SOMEONE. [Instagram]. January 31st. Available from: https://www.instagram.com/p/CZZXNfvMuFN/
Lange, J. 1899. Genesis, or, The First Book of Moses. Together with a General Theological and Homiletical Introduction to the Old Testament. 5th Edition. New York: Charles Scribner’s Sons. Available from: http://www.orcuttchristian.org/John%20Peter%20Lange,%20Critical,%20Doctrinal%20and%20Homiletical%20Commentary_Genesis.pdf
Larcombe, W. 2002. The “Ideal” Victim v Seccessful Rape Complainants: Not What You Might Expect. Feminist Legal Studies 10 (1), pp. 131–148.
Meyers, M. 1997. News Coverage of Violence Against Women: Engendering Blame. London: SAGE.
Parry, R. 2002. Feminist Hermeneutics and Evangelical Concerns: The Rape of Dinah as a Case Study. Tyndale Bulletin 53 (1), pp. 1–28.
Scholz, S. 1997. Rape Plots: A Feminist Cultural Study of Genesis 34. New York: UMI. Available from: https://search.proquest.com/openview/650d9a9842518cf704771516cce932ed/1?pq-origsite=gscholar&cbl=18750&diss=y
Scholz, S., 1999. Was it Really Rape in Genesis 34? In: Washington, H., Graham S.L. and Thimmes, P. (eds), Escaping Eden: New Feminist Perspectives on the Bible. New York: New York University Press. pp 182–198.
Stiebert J., 2021. Rape Myths, the Bible, and #MeToo. Abingdon: Routledge.
Thiede, B., 2022. Rape Culture in the House of David: A Company of Men. Abingdon: Routledge.
The featured image at the start of the blog post is by Tim Dennell, “Reclaim These Streets: Vigil for Sarah Everard in Sheffield.” On Flickr: https://flic.kr/p/2kKAaZR.
 Metzger (cited in Blyth, 2010, p.91) describes rape as when “a woman is brutally stripped of her humanity and confronted with her definition as a nonperson, a function…Rape asserts only combat, brutalizing the communal aspect of sexuality, destroying meaning, relationship, and person, creating a universe of ontological terror”. I have used part of this quote in the title of the blog post.
 It is important to note that whilst both crimes involve the abduction and rape of women, their fates are very different. Dinah returns to her household following her brothers’ attack upon the Canaanite men, whereas Sarah is murdered following her rape.